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![]() A single project can have a timeline for editing, say with proxies, and others for color or effects at full resolution. In addition, each of those timelines can be in different formats/settings within the same project. This is big: multiple, fully functional timelines viewable at the same time. Timelines: You will now be able to open and work in multiple, stacked timelines within the edit page. Here are a few of the many major improvements: If the cut page is about speed, Blackmagic is making it clear that they intend for the edit page to be a full-fledged professional solution suitable for post houses and collaborative environments. ![]() This video by Alex Jordan ( Learn Color Grading) does a good job of describing how the cut page can speed up your workflow. predictive editing behavior, depending on playhead position.dedicated trim tool in the viewer, allowing editors to make accurate cuts quickly.Again, this is geared towards efficiency in creating an assembly and getting editing.įinally, Blackmagic has added several other tools to speed up the editing process: The standard tiled and file views are also available. Source tape view in the media bins creates a “filmstrip” view of all the media, allowing editors to scrub quickly through clips and visually locate the moments they want to include in the timeline. Again, this is meant to make certain types of broader editing faster, removing steps like having to scale your timeline up and down to find clips or the playhead. This is handy when you want to move a clip from the end of a timeline to the beginning. ![]() ![]() Because the cut page timeline shows up as a fully functional timeline within all the other Resolve pages, this offers a great deal of workflow flexibility. It also makes sense for team collaboration, assistant editors or even producers making quick timelines for editors to use as starting points for more substantial editing. This approach is smart and appeals to multiple use cases, most obviously people wanting to turn around simple projects quickly, say for news or web content. However, it also contains nearly all the features of the main edit page, allowing you to get as granular as you like (if you are willing to dig a little more in the interface). The goal here is simplicity and removing steps in the editing process. It is designed for quick timeline assembly, with a sleek uncluttered interface that will fit nicely on laptops. The most significant new feature to Resolve is the addition of the cut page. ![]() Blackmagic has created a fully integrated, collaborative post-production workflow suitable for everything from quickie web content to features. The iterations have been at times painful (as anyone who tried to edit anything substantial in versions 12 or 13 well knows).Īfter spending a little time looking under the hood of Beta Version 2, we can say that there is a lot going on here beyond the main bullet points addressed in the initial NAB announcement. In the intervening years, they have continued to add features to it, creating a competitive all-in-one post solution. A decade ago, Blackmagic Design revolutionized color grading for the masses by turning the high-end, hardware-based DaVinci Resolve into a hardware agnostic software accessible to the masses. ![]()
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